SUNDAY MAY 2, 2010
For one day only former Berwick AIRs, Liz Nofziger and Heather Kapplow, along with Linda Price Snedden will be offering wellness services as H&L Restoration Services.
As seen on CCTV and the MASSART CHANNEL, H&L Restoration Services is an extremely specialized clinic that provides a type of treatment that has previously only been available in Tibet. This treatment suppresses extraneous immune reactions; protects bone marrow and digestive tracts from free floating radiation; tonifies the liver; has a hypoglycemic effect on people with insulin resistance; and has mild antidepressant effects.
All in all, we think it might be THE antidote to everyday life! Please see our fine infomercial here for more details about our highly effective treatment: http://vimeo.com/11061136
H&L Restoration Services will be operating this fairly top secret (but extremely affordable) trial treatment center on May 2, 2010 from 12pm-8pm (with a short afternoon break from 3:30-4pm) at the MEME Gallery (55 Norfolk Street, Central Square, Cambridge MA.) Because we care a great deal about your physical and mental health, we invite you to partake of what we are offering. Please feel free to refer your friends and relatives to us as well.
H&L Restoration Services
A celebration of Boston‘s Performance Art Initiative and release of long-awaited web-based archive, which was developed with support of the Berwick's SPI program. Exhibition of performance art relics and evolving timeline on view at MEME October 9th-23rd.
October 9th 8pm
October 16th 8 pm
Submitted by megan on Mon, 04/06/2009 - 18:16
BUMPKIN ISLAND ART ENCAMPMENT 2011
The Bumpkin Island Land Office invites the public to participate in the 5th annual Bumpkin Island Art Encampment, a five-day public art experience in the Boston Harbor Islands national park area.
From Thursday, July 28, 2011 through Monday, August 1, 2011, five artist collectives will take temporary ownership of Bumpkin Island, a 35-acre island less than one mile off the coast of Boston's South Shore. They will:
2011 Bumpkin Island collectives and projects include:
AXIOM GROUP, Meghann Hickson, Heidi Kayser, Georgina Lewis, Nick Marmor, Evan Smith, Liz Washburn, Alexander Reben, Sarah Rushford
Axiom Group's mission is to support and encourage experimentation in the arts through exhibitions, events, educational programs and collaboration with like-minded groups in an effort to foster the development of new practices in contemporary artmaking. Axiom's multiple individual projects on Bumpkin will enact this mission as they explore the theme of restraint. From establishing a Bumpkin Island Border Control to transporting heavy-laden sculptural backpacks, each project will reflect the limitations of living in a closed system.
MEMORY VESSEL, Teaching Artist Kate Jellinghaus and youth artists Sasha Stone, Haley Smith, Autumn Yu, Allison Black, Isabelle Higgins, & Rafaela Lowe
Using the sculptural weaving techniques of random weave, coiling and twining, the collective will make a series of monumental vessels, built primarily with island resources. The artists will tap into the "memories" of the island to create powerful sculptures that contain stories (direct or indirect) about Bumpkin Island's creatures, rocks, past visitors, and flora and fauna. Though these vessels will be unfilled, the materials used will themselves carry a narrative of place and time: they will "hold" memories.
PACKRAT, Dirk Adams, Jesse Kaminsky & Helen White
Packrat will "draw" a giant funnel-style web from unpolished cotton string. The "nest" will act as a base of operations as collective members collect and catalog one of every type of thing on the island. Each item will connect back to the nest via a simple string guide.
POP-UP COLLECTIVE, Sarah Baumert, Meg Rotzel, Jennifer Schmidt with Ben Jordan and Peter Schmitt
Working to create a modular city in two days, Pop-Up will construct an abstracted vibrant town square. When the "tourists" arrive on Saturday and Sunday, the city starts to hum: movement choreographed by Sarah Baumert is paired with sound created by Jennifer Schmidt, as Meg Rotzel recombines buildings to express the culture of Pop. By playing as city-planners, workers and civilians, the Pop-Up collaborative creates a temporary city of production, experimentation and joy. Pop-Up is funded in part by a Director's Grant from the Council for the Arts at MIT.
TRAUBENSAFT, Zannah Marsh & Uta Hinrichs
Traubensaft will employ strategies and practices from experimental cartography and psychogeography to create a Bumpkin Island "Map Archive." Visitors will browse the collection-including maps such as a Map of the Locations of Smooth Stones, a Map of Prickly Things, a Map of Island Smells-and borrow maps to use on their island explorations. The map station will also offer visitors a "map-making kit", with materials and instructions to create their own maps. These visitor-created maps will be donated/contributed to the Bumpkin Island Map Archive for other visitors to use as they explore the Island. As part of the map making process, physical flags/pins may be placed in the environment (and carry a message or label) by the artists and participant cartographers, which refer to landmarks or symbols recorded on particular maps. The markers will alert users to the project and draw their attention to features of the island that might otherwise be overlooked.
Mara Brod: Documentation
Using both film and digital photography, Artist Fellow Mara Brod will document the challenges artists face working as a group in a new environment with limited resources.
Hannah Burr & Stephanie Chace: Remembering Picnic
Hannah Burr, 2009 Bumpkin Art Encampment artist, returns with Stephanie Chace to facilitate a picnic that helps us remember things lost, and foods that evoke that memory. The ongoing picnic will take place Sunday, July 31, from 12 - 4pm. Bring your lunch and join the experience.
Ray Garrett, Elliot Higger, Tiffany Dumont: Catch the Light
Artists Ray Garrett and Tiffany Dumont were Art Encampment artists in 2007 and 2009, respectively, and later became rangers on Bumpkin Island. Elliot Higger is a cinematographer who has also worked the Harbor Islands as a ranger for several years, most recently on Grape. As "Ranger Fellows," the group will install a giant, off-the-grid Lite Brite, using colored pegs to harness the energy of the sun in an interactive display of light, color and shadow.
Bumpkin Island Art Encampment exhibits are free to all visitors. However, you have to get to the island first! The easiest, most relaxed way to Bumpkin is by special boat. Take a special boat directly from Fan Pier or Georges to Bumpkin Island, purchase refreshments on board, and avoid long lines at the dock. Round trip tickets are $18 and can be pre-purchased at www.brownpapertickets.com.
You can also reach the island by regularly scheduled boat. Ferry tickets are $14 for adults, $10 for seniors, and $8 for kids ages 3 - 11. To get to Bumpkin from Georges, there is an additional charge of $4 for unlimited one-day rides on the inter-island shuttle. For a full schedule of ferry arrivals and departures and other tips on planning your visit, go to the Boston Harbor Islands website:
For more information about the Encampment, press inquiries, and more, email megan (at) berwickinstitute (dot) org.
BECOME A FRIEND OF THE BERWICK RESEARCH INSTITUTE & BOSTON HARBOR ISLANDS!
Curators and Partner Organizations
The Bumpkin Island Art Encampment is curated by Megan Dickerson, Carolyn Lewenberg and Jed Speare. This event is co-presented with the Berwick Research Institute by Studio Soto, an artist performance/screening/exhibit space in Fort Point; Mobius; the Massachusetts Department of Conservation and Recreation; and the Boston Harbor Island Alliance, a non-profit in support of the Boston Harbor Islands.
A Brief History of Bumpkin
Bumpkin is 35-acres with slate and shell beaches. Historically, Native Americans used Bumpkin Island as a fish camp prior to European contact. During the colonial period, tenant farmers leased the island for subsistence farming. Bumpkin hosted a fish-drying operation in the early 19th century and a fish smelting operation in the early 20th century. In 1900, a Boston philanthropist named Clarence Burrage founded a hospital for physically disabled children. During World War I United States Navy took over the island as a training camp, which was dismantled after the war. The hospital reopened briefly in about 1940 for polio patients but closed during World War II and burned in 1945. Today, plants have reclaimed the physical landscape of the island - about half are non-native species, including various fruits and berries, shrubs, vines, field plants and trees. Wildflowers grow along the trails that lead visitors to the ruins of the children's hospital and a stone farmhouse. Please note: Bumpkin Island is an archaeological site. Because of this, no digging is allowed above the high tide line.
About Homesteading as a Context
In 1862, the United States recruited civilians to aid in its movement west. The Homestead Act offered any U.S. citizen or head of household, including people of color and women, free or low-cost 160-acre plots of land. In return, "homesteaders" promised to build a 12' x 14' house, cultivate and "improve" the land and live on the plot for five years. The project resulted in the creation of over 372,000 farms west of the Mississippi, continuing as late as 1976-- when the Homestead Act was officially dissolved.
BUMPKIN ISLAND ART ENCAMPMENT 2010
The 2010 Bumpkin Island Art Encampment took place July 31 - August 1, 2010. For five days, eight artist groups took temporary ownership of eight plots of land on Bumpkin Island. As "homesteaders," they built a shelter, lived on the land for five days, and "improved" the land via a site-specific, temporary performance or installation.
2010 PROJECT PROPOSALS & ARTISTS
Octopus' Garden, Marisa DiPaola
Inspired by the Hawaiian creation myth and an Eyak story, "The Woman and the Octopus," DiPaola will act as an octopus homesteader and knit found materials into a floating shoreline shelter and aquatic garden, complete with a kelp bed, urchin cushions, and other domestic amenities.
The Great Bumpkin Hunt, Ali Reid
Building on island folklore that "Bumpkins" are "little guys with glowing eyes," Reid and a cast of intergenerational family members will lead daily interpretive tours exploring the mysterious species' rise and decline.
Tidal, Ellen Godena and Nathan Andary
Tidal is a series of body-land sculptures that mimic tidal movement over Bumpkin's "gut"-a land bridge to Hull that emerges at low tide. As Godena and Andary's movements shift pebbles and stones, piles of rock will accumulate and dissipate, appearing as rolling ‘waves' in the direction of their movements.
No Place to Go or Won't You Please Walk With Me, Cara Brostrom
Brostrom invites visitors to walk with her as she loops Bumpkin's 20 acres, walking the island clockwise some 12 miles per day. Travelling a great distance without going anywhere, she will mark her progress by adding one rock to a cairn each time she passes her starting point.
Bumpkin Sky-Land, Mark Davis
Davis will delve into the mystical realm of "sky-land"-alluded to in a WWI-era ballad about Bumpkin-as he summons the island's aerial genii loci to manifest themselves in the form of floating lattice structures and shoreline fire-glyphs.
4-D Map: Portraits of Stones & Plants Found Along the Water's Edge, Sharon Dunn
Stones and monumental portraits, positioned in a circle as "offerings," will map elements of Bumpkin's coastal ecosystem, tidal life zones, foliage and geology. Visitors will access digital photos and an online journal by mobile device.
Encampment within the Encampment, Camilo Alvarez, Shalini Patel, Mike Szegedi, Zsuzsanna Szegedi, & Maria Molteni
Five artists will feed and support each other through a micro-encampment of nine distinct projects:
PROJECT FELLOWS: Kalmia Strong, Bumpkin historian, will lead tours of Bumpkin's diverse history and operate the Bumpkin Historical Society, offering artists and visitors a library of on-site background information. David Tamés, documentarian, will film the Encampment and then make the footage accessible to the public, working with interested collaborators to develop a participatory documentary on the project.
2009 Projects, Artists, & Documentation
All documentaries directed and produced by Patrick Johnson.
Ebb and Flow, Kate Dodd
Empty - Full, Hannah Burr
Everything Arrives, Everything Departs, Heather Kapplow
The Midden Map, Mark Davis and Kalmia Strong
42° 16' 52.00" N 70° 53' 15.4" W, Stephanie Cardon, Courtney Lockemer, Marc McNulty
Dragonflies and Angelwings, Sharon Dunn, David Tamés, Alice Apley
Bumpkin Island Gamelan, Brendon Wood, Raymond Garrett, William Conley
Orchitecture, N51/N52 (Gabriel Cira, William McKenna and James Sannino)
Documentary filmmaker Patrick Johnson (www.journeymanstudios.com) joined the artists for the duration of the project, documenting their art and experiences for the five days on Bumpkin Island.
Multimedia artist Ali Reid became Bumpkin's official "postmistress," facilitating communication among artists, curators and visitors by delivering messages written on official Bumpkin Island correspondence stock. Through her role as official go-between, Ali became privy to island news and gossip, and generated a temporary informational exhibit that highlighted the "bumpkineering" experience as it happened.
Artist and chef Sarah King McKeon designed a welcome dinner for the eight artist groups, interpreting ideas of homemaking and welcome on the first night of homesteading.
For more information or press inquiries, contact email@example.com.
Bumpkin Island Art Encampments 2007 and 2008
For documentation of the 2007 Bumpkin Island Art Encampment, please visit www.wooloo.org/BumpkinIslandLandOffice.
Submitted by ryan on Fri, 03/13/2009 - 11:18
Saturday, April 4, 2:15 pm
ICA/AIGA DESIGN SERIES: DESIGN AS SOCIAL AGENT
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The Next Generation
Organized in partnership with the ICA
Shepard Fairey's practice has blown open the ways that emerging artists and designers think about content, form, and message. Hear what the next generation of artists have learned, adapted, or rejected from Fairey's work and where it is leading them. Designer Elliott Earls will interview Boston-based artists including Brian Butler, a representative from Goldenstash, Dana Woulfe, and Kenji Nakayama.
Elliott Earls is a designer, performance artist, and typographer, and currently serves as Designer-in Residence at Cranbrook Academy of Art. His studio, Apollo Program, combines nonlinear digital video, spoken word poetry, music and design; clients include Elektra Entertainment, Nonesuch Records, Scribner Publishing, The Cartoon Network (U.K.), and Janus Films.
Brian Butler is a working artist and designer. His passion for the bizarre has fueled a worldwide campaign advocating the existence of the half human, half ice cream hybrid, the Ice Cream Person.
Goldenstash is the moustached mason adorning the nooks and alleys of Boston. Promoting a character that is both comically seductive and unapologetically womanizing.
Dana Woulfe is a self-confessed artist, designer, and Converse Employee. He became a part of the local graffiti scene while developing his design and illustration skills through four years of school.
Originally from Hokkaido Japan, Kenji Nakayama now resides in Boston, and creates dynamic multi-layered urban landscapes.
Admission is free with a ticket to any main stage talk. Admission to these programs is on a first-come, first-served basis. See here for ticket info and the entire day's programming.
Ticket holders to the ICA's next Experiment party will be pleased to know that some of these panelists will be on hand painting live on April 3rd. Go here to buy tickets and learn more about Friday's event.
Submitted by ryan on Fri, 02/13/2009 - 17:37
SPI Presents is a forum for different artists and groups to cross-pollinate ideas with one another and within themselves. The changing direction of many artists, galleries, and collectives has motivated SPI to bring their discussion-based approach to the front burner. In the spirit of Meet Me at the Table, SPI Presents will cultivate a creative environment where ideas can be generated and shared. Each event will embrace a different proposed cultural focal point, with each forum guided by featured lecturers, panelists, artists or performers. It will also be open to the public for participation and contribution. SPI Presents seeks to bring new people into the conversation and motivate those already at the table to develop ideas further.
Watch Berwick's blog and calendar for upcoming events in the series!
A Little History...
In the past there was something that ran parallel to AIR called PAI (Public Art Incubator) meant for residencies that culminated in public art projects. PAI encountered logistical, community-based problems in its operation. One year its staff made a proposal to stop residencies for a time to study these problems and make recommendations for a revamping of PAI. MMATT was the name of this research project. SPI is the result of it. So what's the answer? All three are separate projects, but somehow the first two are the history of the 3rd and the 2nd two are the trajectory of the first!
View the MMATT and archived PAI projects on the Main Projects Archive page.
As new SPI projects happen, the older ones will be archived here...
Submitted by susan on Fri, 12/05/2008 - 11:52
We are excited to announce the appointment of Daniel DeLuca and Ryan Sciaino as Coordinators of the Berwick's Special Projects Incubator.
Daniel DeLuca is a curator, organizer, and performance artist who received his BFA with honors from the Massachusetts College of Art and Design where he majored in the Studio for Interrelated Media. As an undergraduate he curated and organized collaborative multi-media performance events with students, faculty, and practicing artists. He co-directed and co-curated the 2007 Eventworks festival, an annual festival of experimental artwork in all media. DeLuca was president of the Student Government Association at MassArt where he founded a $5000 grant program for MassArt students. Last spring he was awarded a grant from the Center for Arts and Community Partnership at MassArt for an installation project that addressed issues related to nature and art. In addition to working with the Berwick as a program coordinator, he maintains a studio in Waltham, MA.
Ryan Sciaino graduated with a dual degree in Music Technology and Multimedia Studies from Northeastern University. He has worked as Technical Director for exhibitions in galleries throughout Boston including Art Interactive, Axiom Gallery, and the Huret and Spector Gallery at Emerson College. He also piloted a web video series for WGBH and Public Radio International's "The World." He is currently a teaching artist at the Institute of Contemporary Art where he runs audio and video editing workshops for high school students as part of their Teen New Media program. He also produces his own music, DJ's locally and abroad, and does freelance audio and video work.
SPI Artists The Present Tense
Berwick Special Project Incubator Artists The Present Tense are premiering a new work at 55 Norfolk in Cambridge from 7pm to 10pm on November 1, 2008. Come and meet them and see what they do!
SATURDAY, AUG. 30, 10am - 4:30pm: Works-in-progress day
SUNDAY, AUG. 31 - MONDAY, SEPT 1, 10am - 4:30pm Public viewing days
The Berwick Research Institute and Studio Soto, in partnership with the Boston Harbor Island Alliance and the Massachusetts Department of Conservation and Recreation (DCR), invites the public, free of charge, to view and participate in a unique art experiment in the Boston Harbor Islands national park area. Starting Thursday, August 28, 2008 (Labor Day weekend), ten artist teams will create installations, performances and sculptures on Bumpkin Island, engaging the public as performer, apprentice, collaborator and honored guest.
Artists participating in this unique temporary community in Boston’s largest national park area will utilize the basic tools and supplies that they can physically carry on to the island, including everything needed to sleep, eat and drink. All other materials come from the resources/elements of the island, leading to projects that will be a distinct expression of the island environment. Following the dictates of the Homestead Act, which became an instrument of western expansion in the mid 1800s, artists will build a shelter, live on the land for five days, and “improve” the land via a site-specific, temporary project, installation or performance. Projects will reflect the island’s natural resources and human history, and explore themes of the cultural context of homesteading and artist community.
ARTISTS AND PROJECTS INCLUDE:
Astrodime Transit Authority - Bebe Beard, John Gayle, Ali Horeanopoulos, Mary Ann Kearns and Sam Smiley - ATA will reprise and expand upon its successful 2007 Tin Can Communications Co. strategies and celebrate the 150th year of the first attempt to lay the Transatlantic Cable.
The Camoufleurs -Hanna Rose Shell and Dan Hisel - Drawing on artisanal weaving techniques, military concealment strategies, and bird nesting practices, the camoufleurs will transform their land, and its particular human and natural ecology, into a camouflaged homestead environment. Then creating mixed-media concealment cloaks, they will navigate the island, seen and unseen.
Leave one for your ancestors, one for your children, and take one -Tiffany Dumont, Else Eaton, Raymond Garrett, Rory Jackson - Artists forage island materials to create three interactive, multimedia installations based on past, present and future. Artists will encourage visitors to add to the pieces, forage responsibly, and participate in performance.
New England Expeditionary Alliance - Dedalus Wainwright, Bryan Long, Michael D. Andelman and Jeff Cleary - A scientific mission that will map Bumpkin’s metaphorical, literal, and sensual parameters, Alliance members will lead expeditions, generate hypotheses, establish a classification system, create analysis, and give lectures on their findings.
Shore Wind Organ - Jason Sanford - Using handmade wooden organ pipes and whistles, the artist will create a responsive musical instrument activated by island winds and visitor interaction.
The Honorable Bumpkin Island Company - Jack McGrath & Jane Van Cleef - Armed with a charter granting them the right to establish a trading post on Bumpkin, HBIC will purvey vital, excellent goods to homesteaders and visitors, bolstering the new island economy and exploring the practice of shopping.
Survival Kit -Gabe Moylan & Rachel Roberts - Using the UNICEF survival kit provided to disaster victims, artists will supplement food rations with wild edibles, create a shelter, recreate family photos with found objects, and explore spiritual recovery.
Spirits in the House: Then & Now-Sharon Haggins Dunn - Using natural materials such as sand and mud, the artist will create a pinhole camera. Captured images will illustrate change and continuity of natural and human forces over time.
Stone House, Urban City - Wenxiong Lin, Lynn Lee, Jens Stenger, Annie Wilker - Juxtaposing two themes of time (history and modernity; reality and romanticism), the artists will create a model urban city in the stone farmhouse ruins, and frame windows of the naval mess hall ruins with brightly colored curtains.
Tactilist Theatre - Erik Conrad - Arranging island objects arranged according to tactile values and narratives, the artist, in the role of baroque showman, will set up a sideshow-style tent to perform "poems told by touch."
The 2008 Bumpkin Island Art Encampment is presented by the Boston Harbor Island Alliance, a non-profit in support of the Boston Harbor Islands; the Special Projects Incubator of the Berwick Research Institute, a non-profit which provides alternative programming and exhibition space for artists who work outside the commercial world and is funded by the LEF foundation; and Studio Soto, an artist-run performance/screening/exhibit space for ideas in Fort Point; and the Massachusetts Department of Conservation and Recreation.
On Sunday and Monday at 12:30pm, visitors are invited to bring their packed lunches to MEET ME AT THE BLANKET, a participatory potluck for curators, artists and island newcomers to meet and discuss utopia, dystopia and the nature of public art on an island within sight of the Boston skyline.
GETTING TO BUMPKIN ISLAND AND BACK:
From Boston Long Wharf (next to the Marriott, adjacent to Christopher Columbus Park)
· Take ferry to George’s Island and transfer to the Southern Loop Inter-Island shuttle
· Departs Long Wharf every hour, on the hour, starting at 9:00 am.
· Inter-Island Shuttle from George’s to Bumpkin departs 10:30, 1:10 – overnight campers may take the 3:50 boat.
· Inter-Island Shuttle from Bumpkin to Georges departs 12:15, 1:45, 2:55, 4:25, 5:35
· Return boats from George’s Island to Long Wharf leave every hour on the half hour, last boat is at 5:30
From Quincy, Fore River Shipyard
· Take ferry to George’s Island and transfer to the Southern Loop Inter-Island shuttle
· Departs Quincy Monday – Friday 9:10, 11:15, overnight campers may take the 1:10 or 1:45 boats; Saturday - Sunday 9:20, 9:50, 11:00, 11:30, overnight campers may take the 1:20, 2:05, or 3:15 boats.
· Inter-Island Shuttle from George’s to Bumpkin departs 10:30, 1:10 – overnight campers may take the 3:50 boat.
· Inter-Island Shuttle from Bumpkin to Georges departs 12:15, 2:55, 4:25, 5:35
· Return boats from George’s Island to Quincy depart Monday – Friday 9:35, 11:40, 2:20 or 2:55; Saturday – Sunday 9:45, 10:15, 11:25, 12:55, 2:45, 3:25, 4:40, 5:15, 6:10
From Hingham Shipyard
· Boat goes directly to Bumpkin
· Departures at 9:00am, 11:40am, 2:20pm, overnight campers may take the 5:00pm boat
· Return boats are at 11:05am, 1:45pm or 4:25pm
From Hull, Pemberton Point
· Boat goes directly to Bumpkin
· Departures at 9:55am, 12:35am, overnight campers may take the 4:05pm boat
· Return boats are at 12:15am or 2:55pm
Admission to the park is FREE. Ferry fares: Adult $14.00, Senior (65+) $10.00, Children (3-11) $8.00, Children under 3 free, Family 4-Pack $42.00. Inter-Island Shuttle is $3.00. For more information and for ferry schedules see www.harborexpress.com.