The members of the Berwick Research Institute believe that art should be valued by its ability to positively impact individuals’ perceptions of themselves, their neighbors, and their surroundings within their emotional, political, social, and physical landscape. We aspire to create a forum for the constructive exchange of ideas between creative individuals. This is the cornerstone of our Artist in Research(AIR) program.
STATEMENT OF PURPOSE
Responding to the role that transportation and urban planning play in the physical, social, and economic conditions of communities, artists Heather Clark (Boston, MA) and Matthew Mazzotta (Burlington, VT) plan to invent, construct and pilot a fully functional 15-20-person "busycle". Once constructed, the busycle will be driven in the city of Boston following a predetermined and socially responsive route and schedule. The route will begin in Dudley Square (home of the Berwick) and will travel to key points determined by residents in the neighborhood. This program will be a part of the Berwick’s new public art initiative, “The AIR Satellite Program.”
For more information, images, and links to this or to sign up to the Busycle mailing list, visit www.busycle.com.
Heather Clark, a resident of Boston, Massachusetts, is an affordable housing developer and a sculptor. She most recently finished a Master’s of Science in Real Estate development from MIT in the summer of 2004, where she studied housing issues in underserved neighborhoods, building systems, transportation issues and ecologically sound building methods. Although perhaps not apparent on the surface, her background in development and ecology are interwoven into her approach to sculpture, where she looks at urban infrastructure, making places, and the meaning of the built environment and its relation to nature.
Matthew Mazzotta, a resident of Burlington, Vermont, is a carpenter by trade and a graduate of the School of the Art Institute of Chicago. He works exclusively with recycled, reused, donated and found materials to construct forms which help satisfy his near obsession with housing, temporary urban structures and culture, and the fantastic. He has a long history of bicycle projects ranging from a bicycle that powers an organ on its handle bars, to a low-rider unicycle, to a bicycle that pulls a cart where a couple sits and eats a candle-lit dinner.
PROJECT REPORT
For more information on what the Busycle is up to in real time, visit www.busycle.com
Busycle Final Report: When we first began our residency at the Berwick Institute in June of 2005, our mission was to invent, construct, and run a fully functional 15 person 100% passenger pedaled “busycle”. The goal was to create a vehicle that runs solely on the energy of its passengers. Although driven by a busycle driver, all passengers would be required to pull their weight and pedal in their seats. The pedal power would then move the busycle from destination to destination.
Over the course of the residency, this goal remained true and was achieved to a degree – we built a fully functional “naked” busycle that even had a very successful public maiden voyage. Today the “naked” busycle is a running machine with no public interface, such as an exterior shell or features that make it easy for the general public to ride. Yet, it is a vehicle that creates an immense amount of joy and excitement when pedalled.
As the busycle was being built during the summer of 2005, so grew the concept and the community that the busycle created. The following describes the concept for the busycle that has developed to date, how we got to where we are today, and where we hope the busycle will take us.
Context
The concept of the busycle responds to the role that transportation and top down approaches to decision making play in defining where and how we live locally, as well as how we interact globally. Transportation can be an indicator as to how much power people have within their own lives, as well as in politics and policy. Transportation can serve as a litmus test for issues ranging from environmental racism to global politics.
The busycle does not attempt to be the answer to major ecological or socioeconomic questions, nor does it attempt to even be a practical technology. Yet what it does do is serve as the antithesis to top down approaches to decision making that tend to leave many in the margins. It is everything that top down is not.
The busycle has created spontaneous community. It has grown from the ideas and sweat of over 50 volunteers, with interest from over 2,000. It has been built from the waste products of our society, with the majority of the vehicle made of re-used materials. The busycle will be pedaled by anyone who is willing.
The busycle requires individuals to use their own will and physical strength to come together as a group to go from point A to B. Starting and ending points are ones that they control. By bringing the intersection of art, technology, and activism to the street, the Busycle asks the public to literally participate in a small “movement,” and have a heck of a good time in the process.
As a Participatory Performance Piece
Once complete, the busycle will enter its public life in a series of experimental public rides, during which we will invite the public to pedal. For example, the busycle may create a two week long event, during which it will be driven in the Boston metropolitan area following a community determined route and schedule. This route will cross neighborhood and city lines. The route and schedule will be posted on www.busycle.com, and signs and schedules will be posted along the street. Riders can be picked up and can get off the busycle at any stop along its route. Ridership will be offered at no fare to any person willing to pedal.
As we learned during test rides, the busycle creates an excited shared commotion among riders and those passing by. People on sidewalks stop, stare, smile, point, and call to friends. Others spontaneously grab cell phones, cameras, and video cameras. And still others swarm the seats and want to ride. With a top speed of only 10 miles per hour, the busycle is not intended to be a replacement for cars or mass transit. Its purpose is to stir the imagination. Future performances will grow from what we learn during experimental rides and from the unique dialogue that occurs between strangers as they busycle.
As a Participatory Performance Piece
Once complete, the busycle will enter its public life in a series of experimental public rides, during which we will invite the public to pedal. For example, the busycle may create a two week long event, during which it will be driven in the Boston metropolitan area following a community determined route and schedule. This route will cross neighborhood and city lines. The route and schedule will be posted on www.busycle.com, and signs and schedules will be posted along the street. Riders can be picked up and can get off the busycle at any stop along its route. Ridership will be offered at no fare to any person willing to pedal.
As we learned during test rides, the busycle creates an excited shared commotion among riders and those passing by. People on sidewalks stop, stare, smile, point, and call to friends. Others spontaneously grab cell phones, cameras, and video cameras. And still others swarm the seats and want to ride. With a top speed of only 10 miles per hour, the busycle is not intended to be a replacement for cars or mass transit. Its purpose is to stir the imagination. Future performances will grow from what we learn during experimental rides and from the unique dialogue that occurs between strangers as they busycle.
From Naked Busycle to Traveling Art - The Next Steps
To complete the project, we are working on three main components, which will improve the existing mechanics and create a public interface. 1) Improving the mechanics - Based on our test runs, we would like to make some improvements to the mechanics of the vehicle so that it can run virtually maintenance free at public events. 2) Making the busycle user friendly - As discussed, the central artistic element of this piece involves the spectacle and dialogue that will come from people riding. To complete the project we would like to make the vehicle easier for the average rider to participate. This will involve improvements such as putting clear safety guards on the vehicle’s mechanical system, so people are kept at bay, yet can still see the inner workings of the vehicle. Other such improvements will involve making the vehicle easier for people with diverse body types and various skill levels to ride with ease. 3) Completing an exterior shell - The final step involves building a semi-transparent cocoon-like shell that adapts to the weather and the mood of passengers. The exterior shell is intended to emphasize the vehicle’s unusual engine – people. This organic shell will complete the piece so that the busycle clearly and beautifully tells a cohesive story. As such, we hope to move the busycle from solely an engineering project into the realm of art, the context from which it initially was conceived.
It is our goal that by bringing art and technology clearly into the public realm and as near to the community as possible (what could be closer than riding an art project down the streets where people live and inviting them onto the art?) we will begin to stir a dialogue about the current and universal issues from which the busycle has grown, while creating a forum for people to pause and enjoy.
PROJECT JOURNAL
POSTED: JULY 16, 2005
July 15th, Matthew Mazzotta - Settling into this long houred schedule has been overwhelming. I think I am getting the hang of it now. This week I have not gotten back from doing something “busycle related” before 11pm.
On Wednesday, Dave, Ann, Jeff, Matthew, and Vicky met up at Ron’s house to get an early start at the junkyard, only to realize that there was a little leak in the diesel truck we were borrowing. As any good member of the Busycle team, this little leak couldn’t go unchecked. So up came the hood, and Ron climbed in with his freshly shorn “mullet” he had won on a bet.
Within 25 minutes, it was decided that the truck could not be fixed at Ron’s place. So we loaded up and packed in and started our trip. In two seconds we realized that there was now diesel gas “flowing” out of the bottom of the truck. From that moment on, all six of us, accompanied by two to Ron’s roommates, spent the rest of the day at Ron’s fixing the truck, playing with a green rubber kickball, drinking beer, talking, looking at old bikes, and leading missions to truck repair shops for parts.
At the end of the day, when the truck was fixed, and we were looking at each other for what to do next since the junkyard had closed an hour earlier, someone asked “Should we meet up here tomorrow same time?” There was a pause, and just like we kids with not a care in the world, or even the inkling that there is such a thing as 9-5 or a real job, we all said “Sure.”
POSTED: JULY 12, 2005
July 10. Big, big week. We completely dismantled a 1989 Dodge Van with the help of Vicky, Tommy, Dave, Jeff, Tim, Ann, Ron, Heather and Matthew. Now we’re ready to start building the Busycle. We also scored large amounts of metal at the Harvard recycling yard, including 11 bed frames and loads of exercise equipment, which we will cut up and use for welding the Busycle frame. The City of Boston invited us to talk about how they can support the project. They will be helping as advertise and will provide space. We also had a design meeting that was held at Sparqs. And to top that The Boston Phoenix wrote a little thing about us with a photo. That is all the good stuff. On the flip side, Heather and Matthew have reached the unexplored edges of their minds through pinnacles of stress. Learning to stay positive has been quite the challenge on certain days this week.
POSTED: JULY 8, 2005
June 29, 2005 All kinds of excitement have been happening. As of late, Matthew has been a full time worker on the Busycle, pulling 12hr shifts everyday now. Long days, broken up by short guitar breaks and riding his bike down by the lake at night after his mind has frizzled out. Heather is still working full time as an affordable housing developer and the Busycle is filling every space it can find in the rest of her life.
Major goodness has come out of all the Busycle efforts this last week. We were donated our choice of three different vehicles from Charles River Movers in Belmont www.charlesrivermovers.com. We chose a 1989 Dodge Van with the help of Jeff DelPapa (http://www.the-nerds.org), a crazy junk-warring, bike building, all around knowledgeable bearded guy. We’ll be taking the motor out of the van and giving it new life as the busycle.
We put an old license plate on the van and drove it over to Sparqs in Woburn, the Mecca of welding and woodworking. Tim Panagos runs Sparqs, (www.sparqs.com) an Industrial Arts Club that has anything and everything we could ever want to make cool projects. Tim donated the space to us and is interested in helping us work on the project with some of his crew.
The whipped cream on top of that double scooper is that we received an email from the City of Boston telling us that they are interested in working with us and potentially donating space to finish our project. The little cherry sitting on top of this baby is that we have two women – Ann Adelsberger and Hannah Verlin - who have been rolling videotape to hopefully make a documentary of this whole thing.
been on a journey to find the rumored human-powered vehicle perched on top of mount Busycle. They have spent time wading through friendship lake, where they have been noticing how majestic it still is after all these years. Then crossing onto partner path, where the nuances have surprised them both in a pleasant way. Currently the two are just rounding paperwork hills and have started planning their trip through construction alley. Be warned though, as beautiful as this journey may seem, they reported being attacked numerous times by an old winged baggage-monster and his children.
So far Matthew has made a very pleasant transition into Boston from Vermont. The Berwick community has made the social side of meeting a new city very comforting with its cool people, fun little adventures, and casual parties. Heather seems to be enjoying the new friends just as much.
Since the conception of the Busycle in February, there was a long period where nothing happened. Heather and Matthew just lived the same way they had been living. Then around April, the winds began to pick up. The two Busyclers met for the first time in Boston to discuss the game plan. Soon after, the momentum began to build and we met the Berwick Crew.
After meeting our key players in the Berwick, it was time to go out and press the flesh with “Bike people”. We met with bike enthusiasts, SKUL members, MIT grad students, MIT professors specializing in bicycles and human powered vehicles, and who ever else gave us their ear for a moment. These people have become our “Busycle Experts” and we have been working with them through email the last couple of weeks trying to finalize our design, which should put us in a position to get a truck chasse this week.
On another front, there has been a lot of paperwork trying to get sponsors for parts, money, and to help with the event we have planned for the debut of the Busycle. Organizing our joint email account, Busycle@gmail.com, and trying to sort out and respond to all the people that have written us to help has been a job in itself. We have been offered help from people of all backgrounds, including videographers, a radio show producer, bike parts, garage space, welding equipment, overall good Karma, etc.
Overall, this experience has been an interesting road. We thought we were working on a Public Art Project, but we realized we were tricked by bike lovers into building a bicycler’s surreal wet dream. It is quite impressive to feel the power, creativity, detailed knowledge, and love of bicycling from the people in Boston and around the world. We even have people writing us from Australia and South Africa giving us tips.
At this point we feel this project must be dealt with in the stages that present themselves. At the moment we are finishing up the paperwork side of things, and are going to be diving into construction later this week or early next week. The Conceptual part of this project has taken a back seat, though we both all acknowledge that will become a focus again when we have the Busycle actually moving. Feeling like things are moving a bit slow, we are eager to start the next phase, and Heather even prayed to a sweat potato last night for guidance.
Realizing that the reality we live in
is a construct of arbitrary norms; I am interested in exploring various modes
of existence. Unlearning the presupposed
outcomes that I’ve been taught frees me to navigate and experience the world in
a completely fresh manner, responding and adapting to situations with a minimum
of bias, and inventing new realities.
Often, my work involves the creation of a ‘character’ that represents a certain belief structure, and around which develops a story. The subject is outfitted with clothing or structures that are an augmentation or extension of the body, and blend aspects of fashion, packaging and architecture. The character is documented in situations that parody real events, highlighting and exaggerating oddities of human behavior
The backbone of my methodology is a relentless commitment to drawing; on paper, on walls, large or small, this two dimensional aspect of my work functions as both blueprint for more elaborate projects and compositional playgrounds where thoughts overlap and intertwine. These pieces can stand alone, or more often are reconfigured into sub-components of three-dimensional constructions.
Responding largely to my immediate surroundings, I look for materials that have been passed over by society, our garbage is the greatest marker of our civilization (or lack of). My approach to manipulating these materials has taken a decidedly more low-tech approach recently. For the past year, I have existed as a non-packagitarian (a lifestyle which avoids the consumption of packaged goods). The recurrent theme of packaging speaks to a pandemic fear of contamination, detachment from our surroundings, and the containment of our built environs.
I invite the viewer, if only for a brief second, to laugh at ourselves, and the state that humanity finds itself in. With a lighthearted approach, this work creates lasting impressions that can be appreciated on many levels.
STATEMENT OF PURPOSE
For
my AIR residency I will be working on two projects. The first project
is a cell phone connection to nature, in which a cell phone with
amplified speakers and microphone will be placed in a remote and
natural location. The number for this phone will then be distributed
allowing people to call and hear this location and also speak to it.
The second project will be an aural reconstruction of a small natural
object, such as a nest or small tree, placed in an urban space. The
installation will consist of many small speakers, each playing a
discrete recording made of this object, arranged in the spatial order
the recordings were made. That is, each speaker will be placed in
relation to the others and will correspond to where the recording was
taken. For example, the recording of the top of the object will be
situated on top of the arrangement.
These projects have come out of an interest in how we perceive and
understand nature. Specifically, I’m concerned with the ways in which
technology mediates our understanding of the natural world. For
example, many people learn about wilderness through television programs
and nature films. This way of experiencing the world is limited in many
ways, of course: we don’t physically feel the harshness or understand
the remoteness of the landscape, we don’t feel the danger in our
proximity to the wildlife, and we don’t experience the time it took to
see what is shown. The technologies of tv and film bring nature to us,
but it is edited and sanitized, and while we remain comfortable in our
seats we are shown only what the producers and filmmakers allow us to
see and hear what information they choose to tell us, often over music
that directs our emotional response. With my two AIR projects I will
explore the ability of cell phone and recording technologies to convey
a real-time, unedited clip of the natural world.